The Magic Circle by John William Waterhouse.Happy Halloween!
'Paul Roche' by Duncan Grant.
'Last Act. Queen of Spades' by Oliver Messel.
'Reunion in Vienna' by Rex Whistler.
Study for 'Saloon Bar' by Edward Le Bas. Inscribed by Duncan Grant 'For Duncan Grant from Edward Le Bas, 1940'.
I'm well and truly smitten with Inverallan's colourful, chunky, hand knitted knitwear. The company have been making premium knitwear for the fishermen of Scotland for generations and are one of the few true 'cottage' knitters still in existence today. Come the bleak midwinter, when I'm cycling to work on a dark and freezing Monday morning, one of these jumpers could be just the ticket. That perfect mustard hue alone is enough to put a smile on my face...
I made these special edition dark gold on yellow Coral Cushions for Bridie's pop-up shop (which was a brilliant success). I think they've almost all sold out now, but they can still be made to order through my shop.
Bespoke bright orange on grey Coral Cushion for a Canadian customer.
White Tiger Cushion in teal/mustard photographed last week at my friend Piers' house.
I've been working on ideas for new print designs too... More on that soon!
Read the full article here. I'll be writing a Guest Blog for A Little Bird ('Vogue meets Radio 4, online') in the coming few weeks - watch this space!
Last Saturday morning I took the train from King's Cross to Hatfield in Hertfordshire. Stepping out of the station, I came face to face with the gates to Hatfield House, the very place I'd come to visit. Hatfield is the home of the 7th Marquess and Marchioness of Salisbury and their family; the Estate has been in the Cecil family for 400 years. Recently I had seen a few pictures of the house floating around online and knew I had to check the place out. (A particular picture I'd seen of a gilded ceiling set my heart aflutter.) This is the King James Drawing Room - Hatfield's principal reception room. Recently acquired tapestries have been installed as a background to the many splendid pictures; the whole effect is quite magnificent. I spent a good half an hour taking in the riot of colour and texture created by the layers and layers of fabrics, paintings, lighting and furniture.
The Armoury began as an open loggia in the Italian Renaissance style, until the 2nd Marquess filled in the windows in 1834 and laid the marble floor. The 3rd Marquess completed the alterations by putting up the panelling. Most of the armour on the walls was purchased by the 2nd Marquess from the Tower of London in the middle of the 19th century. I love the row of (possibly much newer!) toy cars.
The chimney piece in the Chinese Bedroom has been repainted to resemble red Chinese lacquer. How utterly fab. Until this point I hadn't realised that one day I would definitely love a lacquered fireplace.
A Long Gallery was an essential feature of every large Jacobean house. The one at Hatfield runs the entire length of the south front (170 feet). That incredible ceiling, originally white, was covered with gold leaf by the 2nd Marquess who had been impressed by a gold ceiling he had seen in Venice.
A very lovely gilded chair and matching stool in the Long Gallery.
The tranquil gardens...
I spent Saturday afternoon back at home, sketching. This is the Casino at Marino in Dublin, designed by the Scottish architect Sir William Chambers for the 1st Earl of Charlemont in the late 1750s. It's a small and perfect example of Neoclassical architecture. I hadn't realised that the name 'Casino' is the diminutive form of the 18th-century Italian word 'Casa', meaning 'House', thus 'Little House'. It really is the most charmingly handsome small building.
I travelled to Hampshire on Sunday to spend time with my family. We visited The Vyne, as we sometimes like to do when I visit. I worked here every Sunday as a teenager with a big group of friends from school, serving tea and sandwiches to visitors. It's always nice to pop back for a look around. It was actually rather warm and pleasant last Sunday - the ideal weather for a stroll in the grounds, which were looking particularly wonderful in the soft late September light.
Bliss.
Autumn Effect at Argenteuil by Claude Monet.
We used to have our fruit and vegetables delivered to our front door in neat cardboard boxes, but since we've started shopping at Parkway Greens, which opened very close to our home earlier this year, we've been completely converted. It's become something of a ritual, our Sunday morning jaunt to leafy Parkway. We'll pick up what looks good (everything) and come home and cook with it. Sometimes I'll even have leftovers to take to work on Monday morning. I don't miss the cardboard boxes at all, convenient though it was to have everything delivered, because now we have somewhere local to shop - a beautiful green store stuffed with colourful, interesting produce. Last weekend we bought these courgette flowers (what a treat!) and stuffed them with ricotta and mint, before deep frying briefly. Absolutely delicious, and just as good as those I ate on the Amalfi Coast back in August.
D. made pasta which we ate with three types of mushroom and lots of herbs (from our flourishing balcony garden), garlic and parmesan.
I made a blackberry and blueberry galette (a recipe from Yotam Ottolenghi, who coincidentally also shops at Parkway Greens). This was fabulous, and I've actually made it two more times since last weekend, I'm almost afraid to admit. Sticky, dark, glistening and gooey, it's a perfect autumn pudding.
Even more blueberries, which I sprinkled over ricotta hotcakes this morning.
I'm a big fan of Gant Rugger's horticulture-inspired autumn/winter 2014 collection. This suede and shearling jacket in particular could well find its way into my wardrobe come the colder months.
Olive green wool and a fur trimmed hood? Heaven!
A very lovely leaf print worn with tan leather gloves.
Enjoying the layering up with a grey wool waistcoat here (and the scarf in pocket).